In the video-performance SAVE, Kilian Kretschmer confronts medial forms of representation with the reality. The central element of the performance is a VASE, whose anagram result the titel. The simple plot is the save transport of the vase from one pedestal to another. The stage consistis of two shifted assembled screens. he re-enacts a film, which is projected on the left fore screen, synchronious but mirrored in front of the right retal screen. If he disappears in this process behind the left screen, he appears as a live-projection on the right one. A confusing complex network of different time an space layers gets in solution. The fragments becomes an ensemble in the collapse.